This is her debut album, in which she has played every role from the main artist to the last step of the production. Willing to find her voice, she walked this experimental journey all by herself, which allowed her to freely investigate the music genres of her interest. The result is this very peculiar hybrid, that ressembles more a theater spectacle than a music album.

De La Boca Al Corazón consists of twelve pieces. Four of them were released as singles. The first one, Si no, cuando caiga la luna, had 1000 streams in less than one week, and it is a mix between a lullaby and liturgical music. Followed by No hay que besarse en un tango, a tango with elements of ballad and jazz. Then, La Gitana, a sung drama scene with elements of flamenco and valse. And finally, Aún Vive El Pez, which gives also more leadership to the monologue than to the musical elements.

It is observable in the chosen combinations of genres and sounds that the expression element leads from above the beauty element, offering the listener a story to listen to consciously, the same way we go to watch a film to the cinema. Not only each sound has been carefully chosen in order to bring each song to life, but each track acts as a character, reacting to the previous ones and evolving throughout the story. This album is a whole show itself.